Zoekterm:
Releases:
The Toll
- Horror, Thriller
- Beschikbaar voor VOD: 20 mei 2021
- Regie: Michael Nader
- Cast: Jordan Hayes, Max Topplin (Carrie), James McGowan (Total Recall, Suicide Squad), Rosemary Dunsmore (Orphan Black), Paul Kaye (After Life)
Midden in de nacht stranden Cami en haar rideshare-chauffeur in een bos waar de normale wetten van tijd en plaats niet van toepassing lijken. De schimmen en visioenen die overal opduiken, hebben een niet mis te verstane boodschap. De enige manier om weg te komen, is door "de tol" te betalen. En die tol is de dood. Maar slechts één van hen hoeft te sterven...
Check out our editors' picks to get the lowdown on the movies and shows we're looking forward to this month.
Related News
- The Toll Review: Is This Rideshare Nightmare Worth the Price?
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18 March 2020 | ScreenDaily - ‘The Toll’: Film Review
17 March 2020 | Variety
User Lists
Related lists from IMDb users
Production Notes from IMDbPro
Status: Completed | See complete list of in-production titles »Updated: 28 February 2020
More Info: See more production information about this title on IMDbPro.
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Cast
| Credited cast: | |||
 |
Jordan Hayes | Cami | |
|
Max Topplin | Spencer | |
|
James McGowan | Neil | |
|
Rosemary Dunsmore | Lorraine | |
| Rest of cast listed alphabetically: | |||
|
Nicole Power | Clara | |
|
Sean Sullivan | Doctor | |
|
Madison Walsh | Greta | |
|
Thomas L. Colford | Weston | |
|
Jess Brown | Cynthia | |
|
Sharon McFarlane | Andrea | |
|
Sarah Camacho | Mary | |
|
Pamela MacDonald | Dying Cami | |
|
Anthony Ulc | Police Officer | |
|
Shaina Silver-Baird | Magda | |
|
Katelyn McCulloch | Charlotte | |
- RogerEbert.com: The two leads, the great set-up, and the overall love for the genre embedded in every scene leads to an overall success.
- Rue-morgue.com: Nader puts well-earned trust in his two leads, as Hayes and Topplin ably engage our sympathy and occasional suspicion as their characters’ situation keeps shifting. As they become more deeply ensnared in the Toll Man’s web, Nader unveils a series of revelations, some of which work and surprise us better than others. Cami and Spencer’s personal histories inevitably come into play, and what we learn about Cami has a low-hanging-fruit feeling when it comes to motivating backstory. While these past circumstances add a bit of depth to the duo, THE TOLL is at its best when it’s observing them in the moment, faced with uncertain and frightening circumstances and just trying to figure out a way to survive the night.